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| < SCULPTURE AND MONUMENTS | ||||||||||||||||||||||||||||||||
| < Cast iron: example | ||||||||||||||||||||||||||||||||
THE MAIWAND LION |
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| (George Simonds, 1866) | ||||||||||||||||||||||||||||||||
| location: | Forbury Gardens, Reading, Berkshire | |||||||||||||||||||||||||||||||
| client: | English Landscapes | |||||||||||||||||||||||||||||||
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Before conservation |
Before conservation | |||||||||||||||||||||||||||||||
The
Maiwand Lion is a war memorial to those who fell in the Afghan
Campaigns, and stands in Forbury Gardens in Reading. The cast-iron
sculpture was cast by Messrs.Young and Co. of Pimlico in 1866. Prior
to conservation, the protective paint layer on the cast-iron lion
was beginning to fail and the
large stone plinth required cleaning. |
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The
bronze memorial plaques had not been maintained for several years.
This had resulted in green copper sulphates staining the Portland
stone plinth. This type of staining is almost impossible to remove,
though the appearance can be improved (see photo below, after conservation).
Poulticing the stain is an option, however this carries the risk
of drawing further staining out of the stone. Micro-abrasive cleaning
is not recommended on soft, porous stones such as Portland, as even
the most gentle abrasive damages the stone. Such copper staining can be avoided by regular maintenance of bronze sculptures and plaques. The plaques also had several fixings missing and had been vandalised as a result, causing some of them to be bent and distorted. |
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| Before conservation | ||||||||||||||||||||||||||||||||
Paint scrapes were taken from areas of the sculpture likely to have retained all the layers of paint throughout the history of the monument. Analysis revealed the original colour of the lion to be a dark 'bronze' green. There were two applications of this colour, followed by a bright municipal green, then three more coats of the original bronze green. The colour of the lion then changed to grey, well before World War II, and remained so until this year. The most recent applications were of grey aluminium paint. |
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The bronze plaques were removed to the studio where they were straightened, cleaned, selectively repatinated and rewaxed. Missing plaque fixings were cast and engineered to match the originals, and missing letters cut and refixed. The plinth was cleaned using the DOFF steam cleaning system, and extensive repairs made to the stone cladding, including the removal of the top layer and repinning to the central brick core of the plinth. The failing paint surfaces on the lion were carefully removed, and repainting began with one coat of zinc phosphate primer. |
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The
lion then received two midcoats of micaceous iron oxide, and then
two top coats of exterior grade metal paint were applied in a colour
to match the original colour. Finally
the conserved bronze plaques were returned to site and securely
refixed. |
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| After conservation | After conservation | |||||||||||||||||||||||||||||||
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| After conservation | ||||||||||||||||||||||||||||||||
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