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| < SCULPTURE AND MONUMENTS | ||||||||||||||||||||||||||||||||
| < Bronze: example | ||||||||||||||||||||||||||||||||
STATUE OF OLIVER CROMWELL |
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(Sir William Hamo Thornycroft RA, 1897-1899) |
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| location: | Cromwell Green, Palace of Westminster, London | |||||||||||||||||||||||||||||||
| client: | The Palace of Westminster Collection |
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| The bronze figure after conservation. | ||||||||||||||||||||||||||||||||
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The cast bronze figure of Oliver Cromwell stands on a tall limestone pedestal, bearing the inscription ‘OLIVER CROMWELL 1599 1658’. |
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| The sculpture shown before conservation. | ||||||||||||||||||||||||||||||||
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Prior to conservation, both the figure of Cromwell and the lion had heavy coatings of lanolin based, black pigmented wax, overlaying a naturally formed green corrosion patina. |
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The limestone plinth was in fair condition with little structural damage. However, slight subsidence had opened some joints on the upper section of the lower main plinth around the corner stones and their decorated capping stones. The main damage was confined to the breakdown of the mortar joints where approximately 25 metres of pointing repairs were required, with mortar infill repairs being required on many chipped stone block edges. |
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| The bronze lion and plinth, before conservation. | ||||||||||||||||||||||||||||||||
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Surface dirt was found on most of the stonework with darker sulphation areas present on the upper pedestal section of the plinth. |
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High pressure steam cleaning. |
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This removed the surface dirt, carbon deposits, bird guano and the black pigmented, lanolin-based wax and revealed areas of the original surface patina beneath. |
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| Surface of the bronze after steam cleaning. | ||||||||||||||||||||||||||||||||
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Areas of active surface corrosion and pitting on the underside of the bronze were treated by hand using soft wire brushes and bronze wire wool. |
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| After selective repatination and waxing. | ||||||||||||||||||||||||||||||||
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The surface was then waxed with three coats of clear microcrystalline wax, applied to the warmed surface of the bronze. The wax was buffed between coats to a soft sheen. |
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| Buffing the protective wax coating. | ||||||||||||||||||||||||||||||||
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The limestone plinth once cleaned revealed some remaining embedded sulphation and green staining. This was disguised using a light shelter coat of lime. |
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| The bronze figure, lion and plinth, after conservation. | ||||||||||||||||||||||||||||||||
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