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| < CONSULTANCY | |||||
| Advice | |||||
| As
part of our appointments as Metalwork Advisor to The National Trust
and Architectural Metalwork Consultant to English Heritage, we are
regularly called upon to visit properties and advise on potential
ways forward with regard to the conservation of metalwork. This advice
can range from providing technical or practical solutions to problems
with specific objects or architectural detail, to general advice
on the care, display or conservation of whole collections. We act as advisors and consultants to individuals, architectural practices and heritage organisations. We also advise many clients on the physical security of outdoor sculpture and monuments, and have designed and made individually-tailored security devices for precious objects housed in museum collections. |
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| EXAMPLE: | THE HEREFORD SCREEN | ||||
| location: | The Victoria and Albert Museum, London | ||||
| client: | The Victoria and Albert Museum | ||||
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The Hereford Screen was designed by Sir George Gilbert Scott and made by the Coventry-based Skidmore Art Manufacturers Company of Francis Skidmore, and was installed in Hereford Cathedral (below, left) after display at the International Exhibition in London in 1862 (left). The most ambitious large-scale piece of 19th century metalwork in Britain, it was described by Pevsner as ‘a High Victorian monument of the first order’. |
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The screen is 36 feet long, 34 feet high and weighs around 16,000 lbs. The framework is cast iron with burnished brass columns. Copper was used for the capitals and foliage designs; the figures of Christ and angels are of electroformed copper. There are also bosses made from marble and crystal, and the whole is covered in paint and mosaic work. | ||||
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In
1967, amid much controversy, it was removed from Hereford Cathedral
on the grounds that it hindered modern liturgical practice. It
was dismantled into hundreds of separate elements and boxed into
wooden crates, packed with straw and newspapers. Firstly acquired
by the Herbert Museum and Art Gallery in Coventry, the
screen eventually passed to the V&A in 1983. In 1998 we were asked to examine the screen and produce a detailed specification and budget costing for its full restoration. |
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We produced a 220 page document with detailed condition reports on the metal, wood and mosaic elements, specifications for the restoration of the same, photographs, the results of paint analysis to enable the original colours to be reproduced exactly, and a breakdown of all the budget costings for the completion of the entire restoration and installation in the V&A’s metalwork galleries. | ||||
| EXAMPLE: | EQUESTRIAN STATUE OF CHARLES II | ||||
| location: | Windsor Castle | ||||
| client: | The Royal Household | ||||
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The statue now stands at the foot of the Round Tower in the Upper Ward at Windsor Castle. |
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| EXAMPLE: | IRONWORK, MONUMENTS AND MEMORIALS AT WESTON PARK | ||||
| location: | Sheffield | ||||
| client: | Cotterell, Thomas and Thomas | ||||
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Weston Park in Sheffield contains many monuments and memorials and has fine ironwork and terracotta work at its entrances. The park will shortly undergo a restoration programme, and we were asked to provide written advice on the appropriate restoration of all the monuments, gates and railings within the park. |
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| EXAMPLE: | ICKWORTH ROOF LANTERN | ||||
| location: | Ickworth, Suffolk | ||||
| client: | The National Trust | ||||
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We were consulted on this large, iron roof lantern at Ickworth. We made recommendations for conservation of the ironwork and provided specifications for decoration, in liaison with the Architect, Structural Engineer and Glass Conservation Advisor. |
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